Showing posts with label concerts GA. Show all posts
Showing posts with label concerts GA. Show all posts

Tuesday, 29 April 2014

Will Springsteen tour Australia in 2015?... and the hell of the steel rumour mill


Without wanting to fuel rumours or raise false (high) hopes, this is essentially the one question that everyone I spend a certain amount of time with on February’s tour of Australia was left pondering before the final shows across the ditch in New Zealand.

One 10-date tour last year wasn’t enough. Especially when the results of that Tom Morello-fused trip down under included a new album.
So was a second tour, including stops in Perth and Adelaide and four full-album shows – less than a year later enough?

Not if you believe the rumours that circulated the many groups of fans I had the pleasure of sharing shows, drinks and hours upon hours in line with.

In fact by the time the E Street Band reached Mt Smart Stadium in Auckland, Springsteen’s end of show sign off to the crowd that ‘the E Street Band loves ya!’ and ‘we’ll be seein’ ya!’ did in fact mean that once again we could all be forced to book time off work, cancel holiday plans and raid our credit cards for the third tour in as many years.

Normally I would be the first to put this down to just wishful thinking.

Two prolific tours within 12 months isn’t unheard of in the band’s recent history, but three in two years would be extremely unlikely for a tour operation that size.

Also, both visits to Australia came on the back of two different album releases so it would be fair to assume that another trip would coincide with another timely release.

But there are several reasons why it might not be that inconceivable.

They were right last time 
Before the final Hanging Rock show in 2013, rumours in the GA pit were wildly circulating that plans were already underway to bring the band back the next year. 
The Wrecking Ball tour had been such a success with people travelling across the country to get to the shows, there was every reason to believe they would want to return as soon as possible. 




This time as well as rumours of a full The Wild, The Innocent and The E Street Shuffle night in Brisbane, fans who had gotten close to the band were already predicting that Springsteen, the band and the crew were planning on coming back as soon as next year.
These rumour spreaders, amongst several different groups of fans, were right about the full E Street Shuffle show and just as confident about the 2015 return.

The band seem to love Australia
You only have to check out Springsteen’s website, or any number of the Facebook fan groups, to see how much he and the band enjoy their time here. It’s not just the chance of a summer holiday in winter but also the ease of being able to travel across the continent without too much hassle. 
In Europe hundreds of fans are known to wait outside hotels for a glimpse of the band, in Australia they can mostly sit in the band’s hotel bar and wait for them. Not to mention trips to the beach, the zoo or the dry cleaners.
E Street is more accessible than ever
Whether it’s the multitude of books, the Springsteen & I documentary, or the pulling up of dozens on stage every night, Springsteen himself is more open with his fans than ever. He obviously won’t come right out and say it, there probably isn’t even any firm plans in place. But if he says it’s something he genuinely wants to do, it would be a safe bet that it’s somebody’s job somewhere to make sure he gets what he wants.
Meanwhile, in many interviews in the past few years Springsteen has said that he’s no intention of slowing down while the band are at their best and the light at the end of the tunnel is ‘getting closer’.

Everyone’s making a killing
It’s not cheap to go to a Springsteen show, but people will still pay through the nose to get tickets to every concert and the promoters know it. This alone is all the incentive promoters like Michael Gudinski and Frontier Touring need to do whatever they can to bring them back again and again. I don’t think anyone’s in any doubt that these guys had to do a lot to bring Springsteen and the band here for the first time in 10 years, and it has clearly worked. 
The 2013 Wrecking Ball tour was already a dream come true for many fans in Australia. And this year’s shows, complete with headline-making cover songs and full-album performances took that to a whole new level.


There’s always rumours of another new album 
Not everyone was happy with the format of High Hopes – the release Springsteen himself called his ‘anomaly’ album. Instead many fans are waiting for a full album of original material with some underlying theme driving the style and tone of his work that has been demonstrated in recent decades. So even with the release of High Hopes, fan discussion following intense analysis of published interviews with Springsteen and the band easily lead to the assumption there was more to come. And that it would come sooner than we think. (And if you are to consider the four-track American Beauty release for Record Store Day, these assumptions weren’t too far wrong.)

TOO SOON?

But aside from all the excitement, expectation and Springsteen’s apparent love of surprising his fans at any given moment, speculation of a 2015 return does come with the question many debt-ridden tour followers ask: Do we want Springsteen to return so quickly?

At the end of February whenever discussion about 2015 rumours came up they were always met with the regrettable realisation that a longer break between tours would be welcome, and the hope that if he is back then, it’s at the end of the year, not the same time as the previous summer time shows.

This response was no doubt partly in response to tour/roll call-fatigue - which after 10 shows in three weeks can easily set while you’re waiting for that final wristband.

In fact, after a few weeks of hotels, flights and racing for the low numbers, you would be surprised how quickly real life comes calling. 
Especially near the end of the road.
A road which goes from being wide open and full of hope to being dominated by big, bright signs warning about out how much mileage is left in the financial tank, and how long you’ll be working before you can get back out on the tour highway again. 


FROM POST-BRUCE BLUES TO TOUR DATE LIMBO

But as The E Street Band revisit cities across America and dates in Europe crumble through the rumour mill, fans in Australia who take notice of the rumours remain in a strange limbo between wild speculation and verified confirmation of any future tour.
The result is any holiday, home renovation or expensive car upgrade plans have to answer to the voice in the back of their mind telling them that maybe they shouldn’t spend their money or sacrifice their annual leave just yet in case Bruce does come back.

And when he does it following him across the country for weeks at a time really will be the final time they indulge in the once-in-a-lifetime, may-never-happen-again event.

Until of course the penultimate show of that tour… when rumours of another return creep from backstage.

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 Cheers!

Friday, 14 March 2014

Bruce Springsteen review: Just how good are the USB wristband downloads?


Since it was announced Bruce Springsteen would be issuing live recordings of his tour – after decades of pleading from fans and those in the music industry for such releases – the reaction has been fairly mixed.

The live shows for this writer have become the ultimate goal in enjoying Springsteen & The E Street Band’s music. If you were to offer me the chance of a 60-second meet-and-greet, signed memorabilia and a photo in a hotel lobby with the man, OR tickets to just one concert, I would take the concert every time.

So when the option to take home a live recording of the latest shows on the tour appeared, I went overboard. I ordered a dozen wristbands online – one for each of the Australian shows, including two I would miss, and one for a friend.

Then of course they announced you wouldn’t need a USB wristband, and could download straight from the net for a fraction of the cost. And I’d just spent more than $500. Bastards.

When the wristbands finally arrived I immediately returned half of them to Live Nation for a refund. I figured I’d keep a few and use them, and get some cash back for the rest. Not to mention the packaging was so bad that one of the tidy little black boxes they come in had in fact been destroyed in transit.

Now, after going to nine of the 11 Australian shows and making a last minute trip to New Zealand where I stood on a broken foot for twobrilliant shows (no, I won’t shut up about it. It still fucking hurts…) I’ve got round to using one of the USB wristbands to download a show.

The Wristband

I will admit to really liking the look and practicality of it. I don’t wear any jewellery other than a watch and this has become the male accessory I’ve been looking for to wear on the other wrist. It looks good, and it’s practical for carrying around important files, transferring stuff between computers at work, and everything else. It was a good buy regardless of the music.

Downloads

The first show I chose was Brisbane. The full album of Wild and Innocent… and plenty of Greetings… magic left me dying to hear it again.

But after plugging the USB in my laptop, opening the relevant files, launching the software and clicking the relevant show, nothing happened. There was just no response.
I tried it again a few times, but nothing was downloading, the screen didn’t even change.

Then after a few attempts a message popped up to warn me that despite not downloading a single beat of opening track Stayin’ Alive, I had used up the download limit for this USB.

Luckily the website where you can purchase downloads had an email address and within 48 hours of asking them for help I was given a code to enter on a specific link, and this I was told, would let me download my album.

So, following the link and instructions I successfully downloaded the Brisbane show in the higher quality FLAC file.

Of course I wanted to put this show in my iTunes or at least on some music player on my iPhone. Checking out various sites, conversion software and a few apps on playing FLAC files, I found myself with an album I couldn’t use, unless I wanted to lose the quality I had wanted or just play tracks from the laptop.

But before plugging in another of my remaining wristbands, I noticed I had left the web page I downloaded the tracks from open, so figured I’d try and download the Brisbane show in MP3 format too, without having to use up the wristband’s limit, which purchasers had been told would allow just one show to be downloaded.

It worked. I had the Brisbane show on a format I could use.

Of course then I remembered how great the Born To Run album had sounded in Auckland.
So yeah, I clicked download on that one too.

Again, it worked. No new code, no new wristband. It seems maybe some glitch in the system had just allowed me to get three recordings of two shows. Brilliant.
Of course I couldn’t have a Born To Run­ album show, without also having Sydney’s Darkness On The Edge ofTown. That would just be ridiculous.
And again, without leaving the webpage which I had entered a specific code to enter, the MP3 files downloaded.
Within 24 hours I had downloaded all available shows from the Australia and New Zealand tour in MP3 format to my computer – that’s 12 because Melbourne 2 was never released – all from one wristband without having to pay any more fees.
I’ve even gone so far as to raid my iPhone for photos and create album covers with an image of every show now in the iTunes artwork.
So this all means I really didn’t need to spend a load of cash on buying the wristbands for every show. I could have bought one – and used it to get all of them. Those brilliant bastards.
Sound quality
Despite expecting a low quality sound with the MP3 files, so far I have been nothing but impressed. And I say so far because I’ve only got through Brisbane and night two in Auckland.
The vocals are clear, the strings in Brisbane are still sensational, and both Curt Ramm’s trumpet solo on Meeting Across The River and Jake Clemons’ Jungleland solo sound incredible from the Auckland recordings.
Obviously it’s a lot to ask for the recordings to sound as good as ­Live 1975-1985 or Live In New York City¸ but for a three-hour live album, the MP3 download is incredible value for money.
USB Wristband refunds
I returned the six – five unwanted, one damaged – wristbands to retailers Live Nation on February 14. That was a month ago. I still have not heard anything about them, or had anything refunded. I will be contacting them shortly about the $250+ I expect to be refunded.

Thursday, 6 February 2014

Inside a Bruce Springsteen soundcheck

A few hours before the first Perth Arena show a group of around 30 journalists, including myself, were lucky enough to get an early glimpse of what goes on backstage before a show.
Before going in we were told to stand at the back of the GA pit while Springsteen and the band performed. When he was ready, Springsteen would then call us forward to the stage and we could ask him some questions.
Dream Baby Dream

We were also warned that the whole media call would only begin when Springsteen was happy with the sound and that it could take a while.
So we spent what felt like hours waiting in a hallway of Perth Arena trying to listen out to the songs being rehearsed behind a closed door.
At one point I could make out Frankie Fell In Love, and a friend said she heard The River.
Finally let inside and ushered to the back of the GA pit, Springsteen shouted a welcome from the stage before launching the band into Dream Baby Dream.
The band, following every hand gesture from the lead man even more intently than you would probably notice on show night, were obviously not in the evening’s wardrobe selections yet.
Soozie Tyrell wearing thick glasses and Tom Morello in a big cowboy hat and shades both made a lasting impression.
At the end of the song Springsteen jokingly waved off our applause by saying they weren’t done yet.
“You’ve stumbled into a rehearsal”, he said, before turning to the band and explaining what he wanted to hear more of something before starting up the song again.
But it seemed someone started before others in the 18-member band were ready as something was so out of time he immediately stopped the band a few seconds in, and joked “that was the single version.”
Before running through the song again.
Afterwards he again turned to the band, and you could see how he was determined to perfect the song, that in the end would not get played on opening night.
He then turned to the assembled media and called them forward, sitting on the centre platform at the front of the stage.
There he answered several questions about how he feels about being more open to writers and the internet, the role of folk music “when it’s done well” and his approach to the setlists.
Saying that he still planned to “keep changing things up” and bringing out surprises for the tour.
When asked if there was any songs he wished were requested a bit more he talked about how he liked performing Girls In Their Summer Clothes but didn’t get to do it very often, and also Long Walk Home from Magic, of which he was pleased with the strength of his writing.
The diehard fan in me managed to string a sentence together enough to ask if he would be doing any full album shows on this tour.
He said although they had done some in Europe last year, it was unlikely while he had a new album out and wanted to keep each night different and fresh for both new and returning audiences.
When it came to his interview the answers he gave were never short or abrupt, they were long, detailed and genuine.
The personal commitment and enthusiasm his live performances are known for easily transferred over to a group of 30 people that although excited – and in my case totally bewildered and quietly overwhelmed – were all thinking of fast approaching deadlines and how they would file copy, footage and audio clips to their outlets on time.
As his publicity and crew were obviously eager to hurry things along by calling time on the press conference, Springsteen was happy to keep talking and allowed the questions to keep going.
If he didn’t have a show to do, I think he would have been happy to sit on that stage talking for hours.
But even if spending a lengthy time chatting with Springsteen was an option, I would take being in the pit of his live show for three hours over a conversation every time.

Read the article I scrawled together on the side of the road after the media call here:  Bruce Springsteen promises to keep surprises coming for Australia


Monday, 25 November 2013

High Hopes for a new Bruce Springsteen album



The rumours are, once again, true and a new album is indeed set to be released before Springsteen and the band return to Australia next February.


As teased last week the album High Hopes was announced today with a full tracklist.

Pre-order sites such as Amazon are already listing details that include a bonus DVD of the band performing the Born In The USA album live in London earlier this year.


For fans of this blog and those who saw the Wrecking Ball tour in Australia this year have good reason to be excited about the new album.


First of all, the excellent High Hopes is present – a brilliant highlight of the Australian-leg of the tour.


Then there’s the frequent addition of Tom Morello, Steve Van Zandt’s stand-in for the 10 down under dates in 2013. This of course includes the incredible Ghost Of Tom Joad that has been crying out for a CD release.


Along with this we also Just Like Fire Would – a cover of The Saints' song performed in Brisbane on the first date of the tour in Australia this year.


Amongst the other songs in the tracklist are the American Skin (41 Shots) already a highlight on Live In New York City release, and Dream Baby Dream, Suicide’s song Springsteen used in a video to thank fans who made it to the Wrecking Ball shows.


The lack of an album full of entirely new songs may disappoint some fans. But with the tracks in High Hopes the album feels like another ‘thank you’ to those who have followed him across the planet in the past few years (and decades). 


Meanwhile if you listen and look close enough you can already pick up on rumours already circulating of two albums being released within 12 months of each other. 

Track list: 

1. High Hopes (Tim Scott McConnell) - featuring Tom Morello
2. Harry's Place - featuring Tom Morello
3. American Skin (41 Shots) - featuring Tom Morello
4. Just Like Fire Would (Chris J. Bailey) - featuring Tom Morello
5. Down In The Hole
6. Heaven's Wall -featuring Tom Morello
7. Frankie Fell In Love
8. This Is Your Sword
9. Hunter Of Invisible Game -featuring Tom Morello
10. The Ghost of Tom Joad - duet with Tom Morello
11. The Wall
12. Dream Baby Dream (Martin Rev and Alan Vega) - featuring Tom Morello

Album due out January 14.