Showing posts with label concerts. Show all posts
Showing posts with label concerts. Show all posts

Monday, 17 February 2014

The pain of missing a spectacular Springsteen show


It doesn’t matter how many shows you’ve seen, how many you’re going to or how many times you break into the top 30 on a Springsteen fan roll call.
If you check the set list of a show that you wanted to see, but were unable to make, then part of you will be probably left devastated by what you see.

After making all 10 Australian shows last year, the plan to see every concert this year was thwarted when The E Street Band’s weekend in Melbourne clashed with an event that was impossible to miss.

So while I was downing beer after beer at a classy, entertaining, all-round brilliant wedding in Western Australia’s South West, Springsteen gave the audience for Melbourne’s first night an incredible show to leave any fan envious.


When you can't make a show, drink until life becomes a show... *

There was always the possibility of Eddie Vedder joining the band on stage, but to bring the Pearl Jam lead singer on to help open the show with AC/DC’s Highway To Hell was a stroke of genius.

To follow it up with Darkness On The Edge Of Town, was enough to create the “head-on collision smashin’ in my guts” feeling Springsteen yells about in Badlands.

Of course these would have both been easier to accept missing out on if Springsteen himself hadn’t told me at a pre-show press conference in Perth that he probably wouldn’t do any full-album shows, only to perform Born In The USA in its entirety for the AAMI Park crowd.
'I'm gonna keep changin' things up'
Although saying that, Springsteen had made it clear he planned to “surprise” audiences and “keep changing it up” when it came to what was played on the night.

With that in mind, it became easier to accept in my post-wedding hangover that Melbourne night one was simply a fluke for Springsteen’s fans who made it to the first stadium show on the Australian tour.

Thinking that however was just the latest in a series of mistakes over set list assumptions.

As Melbourne’s second night started the tracks filtered on to social media and there they were – Growin’ Up and Lost In The Flood

The two songs that always come to mind when planning what request signs to make.

I had deliberately avoided making any signs in Perth or Adelaide because I didn’t want to see a song I’d requested played at a show I couldn’t make.
And of course, the killer blow, a full Born To Run – my all-time favourite album – show.

There’s no hiding from it – no matter how good a time I had, by not being in Melbourne, I missed something very, very special.

But the reality is that if unless you go to every Springsteen show for the rest of your – or the Band’s – life, you’re always going to feel that you’ve missed something special – because you will miss something special. Whether it’s a full-album show, a piano solo of For You or a duet with another rock legend.

All you can do is keep track and enjoy the highlights you do make, buy two tickets to New Zealand to extend your adventure and keep checking the weather forecast for the next show… right now there’s storms predicted for Sydney. And with it maybe, some high hopes for a Darkness On The Edge Of Town 

( * Drink responsibly)



Sunday, 16 February 2014

Springsteen at AAMI Park, Melbourne - Show 2

So again, I didn't make this Melbourne show.
And again, it was incredible. 
The band played Born To Run in full...
  1. Born in the USA
  2. Badlands
  3. Lucky Town
  4. Roulette
  5. Growin' Up
  6. Wrecking Ball
  7. Death to My Hometown
  8. High Hopes
  9. Just Like Fire Would
  10. Lost In The Flood (Sign request)
  11. Spirit In The Night
  12. Thunder Road
  13. Tenth Avenue Freeze-Out
  14. Night
  15. Backstreets (with Sad Eyes interlude)
  16. Born To Run
  17. She's The One
  18. Meeting Across the River
  19. Jungleland
  20. Heaven's Wall
  21. Waitin' On A Sunny Day
  22. The Rising
  23. The Ghost Of Tom Joad
  24. Land of Hope and Dreams
  25. We Are Alive
  26. Ramrod
  27. Bobby Jean
  28. Dancing In The Dark
  29. Twist and Shout
  30. This Hard Land (solo acoustic)


Australasia tour so far: 204 songs, 7 shows, 96 different

Wednesday, 5 February 2014

Confessions of a Springsteen roll call addict


At 10pm Tuesday it had reached 100, at 8.30am Wednesday 112 people had committed themselves to the line.
And by 3pm today there will be dozens more fighting sun burn and trying to orchestrate the balance of staying hydrated without forcing any unwanted trips to the bathroom.
The procedures in the hours and days before a Springsteen show have become nothing short of a necessity or even an addiction for those that have previously turned up to a venue and had a number printed on their left hand.
During the 2013 Wrecking Ball tour the roll call system of getting a number as early as possible - then returning to the line at designated times to keep that place in line - quickly became a friendly contest between fans for the lowest number, a haven for weary travellers, a roadblock for school-running parents and even a bed for tramps and dreamers.
This time around before the doors have opened for the first of 11 shows in Australia the roll call system is once again alive and well.

Sunday night.
 
Pros and cons?

The pros of the roll call are obvious, it allows fans to line up without physically standing – or sleeping – in place for hours or days on end.
A win for fans and for venues worried about the surge of people who might want to turn a single night’s concert into a week-long festival complete with camping experience.
The breaks to disappear for a few hours, take a walk, get food, water and use the bathroom make all the difference. Especially when the line is at a place like Perth Arena, or Melbourne, rather than say Brisbane, where a choice of places to eat, drink and just gather some healthy shade are miles away.
Not only are people more energised and positive, but venue operators and road crews also appear to be happy with the set up at smaller Arena shows because it saves the need for a lottery system – something that can result in a person in line for 5 minutes getting to the front, while someone who spent hours waiting near the front doesn’t get the view they were hoping for.
Most of all the roll call system does one thing brilliantly, it builds excitement and enthusiasm for the forthcoming show through its form as a giant countdown until doors open.
Those final hours stood in line waiting to land a spot and debating whether or not to come up with a strategy inside the venue for the best position are agonisingly brilliant.
It also builds relationships between Springsteen fans in a way that social groups or fan clubs could never do. By the end of the day you’re not just sharing stories of why you like Springsteen, but even stepping aside to let the shorter person behind you move closer to the stage or reach out for the guitar during Born To Run.

Despite being a massive fan of the roll call system not others agree, and frequent discussions do raise what some would argue are a few disadvantages.
First of all is the question of when to start the system.
Start it too late and you could find disagreement between people already in line who have already committed to staying onsite for days on end regardless of any ordered line.
Start it too early and you’ll find people who travel from outside the area angry that their entire time in a new place is spent attending roll calls instead of seeing the sights.
(My memory of Melbourne is a 15-minute L-shaped path from the Flinders St backpackers to Rod Laver Arena I walked every 3 hours.)
You also have the legitimate criticism from people willing to line up for an entire day - but not much longer - that the line would probably be shorter if people were not given the freedom of leaving for a few hours after checking in, as less people would be inclined to queue for hours on end.

In short, it’s not a perfect system, but I’m a big fan of it and it my experience it has worked really well.
Although those who have been in a roll call for more than one show will recognise the signs of ‘roll call addiction’: 

  • saying you don’t mind what number you get but secretly fighting for your lowest number yet.
  • telling others you probably won’t line up for the next show and then you run to get a number.
  • having a strategy worked out to stand in front of Nils or Stevie then just panicking and making a split-second decision depending on the height of everyone in front of you.
  • knowing that it doesn’t matter if you make the first 200 because the rest of GA still get great spots anyway – and yet still not being satisfied with being anything above (Johnny) 99.



My Hometown

One other observation from this week is the mistake I made thinking it would be easier to attend several roll calls as I only lived a short bike ride from the venue.
In theory, a hometown roll call should be easy as you know where everything is and how to get there quickly.
In reality however, life itself just gets in the fucking way.
Even on holiday work issues can flare up, family hassles can arise and the kids can suddenly need a ride to school right at the time you should be answering the call to who owns the faded number you proudly got two nights ago.
Not to mention ‘roll call fatigue’ which can easily set in when you have to keep leaving the comforts of home to stand out in the sun currently burning the side of the building you’re trying not to stand near.
It’s fair to say roll call for more than 24 hours takes commitment, a clear schedule and a toll on your personal appearance. If you waiver or worry about any of these, you’re in for a stressful countdown for the show.
 
Alternatively while you’re away, the roll call becomes an adventure. Sure you would like to see the new place you would never have been to before but your desire to be that one place closer to the stage is just a little bit stronger.
And you get to talk about how far you’ve travelled before spotting the brilliant but mental people who have come from all corners of the planet and are typically roll call experts.

This morning I pulled out of number 28 spot due to some last minute commitments which I was already aware of. My decision to join in three days ago was to bag the best spot incase my diary did clear up and I wouldn’t regret not being in line earlier. Not to mention meeting up with all the familiar faces from last time round.

So for Friday’s show I’m just planning on coming down around midday in the day and seeing what numbers are available, and I’m sure I’ll get a good spot whatever it is.
Or maybe I’ll come by at 11am… or Thursday night... or fuck it, maybe I’ll just see what happens after the show on Wednesday.


Monday, 3 February 2014

The Springsteen fan's road to Perth Arena

Springsteen fever has officially landed in Perth with the Australia tour about to start this week.
A few people have said they enjoyed an article I wrote last year when the 2014 tour was first announced - and before the extra dates were added - so here it is again. 
(More than six months on, let me know how accurate it is Springsteen fans...)

News that Bruce Springsteen is to return to Australia next year has no doubt sent many E Street Band fans into meltdown over the past 48 hours.
Perth and Adelaide, which missed out on the E Street Band in 1985, 2003 and 2013, as well as 1997's solo tour, will be the first two cities on next year's tour (February 7 and 11 respectively).
Bruce Springsteen made special mention of Perth fans during this year's tour told the crowd, thanking them for flying over.
Coming back so soon after an incredible ten-show tour in March and after a series of ground-breaking shows in Europe really is mind-blowing.
Not just because the shows are so good they can change the way you look and feel about music, but because from now until February there will be several times where die-hard fans will put themselves through an insane amount of psychological and physical torture to be at a show.
Insights into the dedication of Springsteen fans were recently touched on in the documentary Springsteen & I, made entirely from fan's own video submissions.
But in terms of what die-hard fans across the world will be doing over the next six months, it barely scratched the surface.
As of right now Springsteen fans are booking weeks off work, cancelling holiday plans and failing to find an acceptable excuse to bail on their girlfriend's sister's Margaret River wedding so they can revel in the E Street experience. Again.
Military-style operations are being formed across different time-zones that will see phones, tablets and computers at battle stations when the ticket pre-sale starts in every state.
The same thing will be repeated a few days later as tickets are released to the general public and every few seconds internet booking sites will be the cause of some of the most abusive, offensive language ever spoken by thousands of people at the same time when they all see, "Sorry, those tickets are no longer available" in bright red annoying letters.
Several hours of war games will end with the occasional sweet victory of a solo GA ticket, only to vanish when another tour date is added to a venue. And you do it all again. And again.
Only when enough tickets are secured and the concert diary is suitably full will fans move on to the next stage of planning and preparation.
Credit card limits will be extended, promises will be broken and more than one fan will end up with debts that no honest man can pay.
"Bruce buds" made last time round will reconnect and reunite with meet-ups and build plans to share accommodation, journeys and even strategies for waiting outside concert venues for days on end in order to secure the very best place in the crowd.
All this will happen months before the first show as every wedding, birthday party or Bar mitzvah invite is met with "as long as it's not in February, I CAN'T DO FEBRUARY!"
Probably followed by a conversation that starts with an excited explanation of what they're up to and ends with a pitying smugness that the person not crazy enough to give up weeks of their life to stand in line will never get it.
Flights, hotels, friend's sofa beds and cardboard boxes are being booked out and journeys between each show are plotted out to the finest of detail.
Meanwhile at the back of every fan's mind is the constant thought about how the world will fall apart if anything gets in the way.
For normal people, the announcement of a concert might be a welcome surprise and something to look forward to.
But for the next six months the sign-making, roll-call-taking Springsteen fan hooked on seeing show after show after show, will self-inflict a ridiculous amount of pressure to not miss a single second of the tour. No matter how impossible that will be.
And these will be the people you see sleeping outside Perth Arena days before the first concert.
Brace yourself Perth... Springsteen is coming.


First published on WAtoday.com.au 

Saturday, 25 January 2014

Did you fall for the Bruce Springsteen USB wristband backlash-scam?


Last week I wrote a blog entry asking whether paying $45 - plus whatever postage fees - for a live recording of a Bruce Springsteen show on a USB wristband was too much.
I was set to publish it but moments before I did I saw on Twitter there was an update to the concert download saga that has excited many fans and simply infuriated others.

Now it seems that the live recordings will be available in a "variety of formats" and not just in the $45(AUS) wristbands. 

Some of these are reported to be higher quality, and cheaper. The two biggest issues that seemed to irk fans who have been begging for official downloads for years, but wanted them in the same way Pearl Jam fans have theirs - highly accessible and highly affordable.



For me, regardless of the price – which really shouldn’t be that shocking when considering the credit card-limit-breaking cost of actually getting to see a show or two - the whole concept is genius and has been a long time coming.

If I had the opportunity to get live recordings of some of last year’s concerts I would have happily added another $50 on to the price of the ticket. (Mainly because at the time I thought it would be the last time they would tour Down Under).

Every Springsteen fan knows there are some songs that just sound better live, and the man’s career has been built on the ‘you-have-to-see-him-live’ ethos.

Ultimately I would love a live album at the end of every tour, and I for one was genuinely surprised one wasn’t released at the end of the Wrecking Ball tour instead of the album High Hopes.

But until then, the opportunity to get a 2 to 3 hour show recorded professionally is a fantastic alternative.

I know many fans just hit up YouTube and search for individual videos of tracks from the setlist to hear a concert they missed, or relive a concert they experienced. With enough patience it is surprisingly easy how you can create yourself a complete bootlegged live album from the multitude of recordings that come online after every concert any big act performs.

But after you've checked to see if you can spot yourself in the video, the novelty of these recordings quickly wears off. When you've heard how great Prove It All Night and Ghost of Tom Joad sounds at the front of the stage, listening to it from a poorly recorded bootleg just isn't enough.
I first encountered the post-concert live recording option at one of the best small gigs I’ve been lucky to review.

In November 2007 Joseph Arthur and his band The Lonely Astronauts finished their UK tour at The Talking Heads in Southampton. About halfway through the gig he noticed some sort of feedback, buzzing sound and delayed his next song by five minutes as they worked to get rid of it.

Arthur the crowd of a few hundred fans crammed into the small venue that they were recording the performance and that if they wanted a copy CDs would be burned at the merchandise stand afterwards.

The show was incredible, so naturally people swarmed to the merchandise stand afterwards as two computer disc drives were spitting out white CDs for the assistants to put in cardboard sleeves with the gig’s date and venue stamped on the side.
The gig’s 21 tracks went across two CDs and cost £10.

The quality was clear enough to sound decent and recorded with professional gear, while still being raw enough that it clearly was a finely produced live album. Turn it up loud enough and you still the static buzz of the room, while the applause and cheers after each song are sometimes deafening.

However, as a unique recording of some excellent performed tracks from a brilliant singer-songwriter, it was a fantastic buy and one of my all-time favourite live albums.

The following year I considered buying a live concert performance for a second time. After waiting in the rain outside Wembley Arena before Matchbox Twenty took to the stage I was drying off at the merchandise stand when I spotted a USB wristband with the option to download the show afterwards.

Apparently Rob Thomas and his band were pioneers of bringing the concept into a mass-merchandise market.

I don’t remember the price tag of the 2008 wristband, but I’m pretty sure it was at least £25. (Checking on Springsteen's online store to pre-order the wristband it shows £25 is how much UK fans will have to part with for their E Street wristbands.)

The show itself was excellent, partly because I was standing front row at Wembley Arena and also partly because the band were a favourite of mine some years earlier.
This wasn’t enough however for me to part with my cash for the souvenir. At the end of the day I just couldn’t justify it. 

The following year I left London's Hyde Park wishing Springsteen had the same offer going for the 2009 Hard Rock Calling concert - which would later be released on DVD. I would have happily paid a lot of money to know I could hear it again a few days later.

Today however, after seeing the incredible performances on the last tour, and not being able to make two of the upcoming 11 Australian shows, I gave in to pre-ordering a number of wristbands within hours of hearing about the announcement.

The main reason is that I’m just not satisfied by the quality of the unofficial bootlegs I’ve listened to online. And as much as I enjoy requesting rare live offerings on Springsteenradio.com – which is a lot, and I urge everyone to sign up immediately – the reality is there is no better act to see, hear and be a part of live, than the E Street Band.

Some initial reactions to the announcement of the wristbands included calls it was scam by Springsteen – including one genuinely funny parody singer – but in reality it was more likely a miscalculation from his PR team who thought fans would welcome professional live recordings they have longed-for without going into enough detail about what would be available.

Then again, the amount of angry chatter between fans that greeted the original announcement leaded to much more press coverage than it would have done if people were happy about it.

So if there really was any sort of "scam" involved in the release of these live recordings, it could have been with the backlash that greeted it, and the petition set up that attracted thousands of signatures.

There's nothing like a protest to generate more publicity for a product, when you already have the desired outcome of the protestors waiting to be released. In this case, the cheaper downloads without the need for a wristband.

Which according to Backstreets.com will come in two options for audio formats: "MP3 (320 kbps) or FLAC (Free Lossless Audio Codec). Pricing will match Pearl Jam's at $9.99 for MP3 or $14.99 for FLAC."

So, did I fall for the Bruce Springsteen USB wristband backlash-scam?

No. 

(But after rushing online and pre-ordering several wristbands at $45 each, and another t-shirt, I probably should have.)

Saturday, 18 January 2014

How will High Hopes shape Bruce Springsteen & The E Street Band’s new tour?


There’s plenty of reviews out there analysing Springsteen’s latest album with average to positive ratings, along with excited and disappointed fans that it’s not an album full of new material.

After a few listens now I think it’s a great album that will a few years down the line sit nicely alongside Wrecking Ball in a much stronger, more welcome, position than how Working On A Dream sits next to Magic.

The big question is how it will influence and sit with the library of material in the upcoming tour.

Will it be the backbone of shows like Wrecking Ball on the last tour? Or will the fans reactions lead it to fade away like the aforementioned Working On A Dream during that album’s tour – where by the final shows, songs from the album were mostly dropped from setlists?

In the meantime, here’s some thoughts on the new album and how the tracks might work on the upcoming tour.

  
High Hopes
This song has been on my work commute play list everyday since it’s single release now. It gets an extra imaginary fist pump as I cycle through the city on a Monday morning. For me it was a highlight of the Wrecking Ball tour in Australia so I wasn’t surprised to see it get a studio release. I was only glad that they gave it the same bursting energy in the studio as they do on the stage.
I’ve never heard the previous or original version of this song so I can’t compare, but I’m fine with that. This is a great opener and will no doubt open at least one show in Australia in February.

Harry’s Place
With an intro that feels like it should be set to a montage of people living in Manhattan during the 1980s, this is a great ‘throwback’ tune. Complete with Clarence Clemon’s saxophone within the first few seconds. One of the calmer songs vocally, it’s the guitars, sax, organs and keyboards that duel on the streets in the song. A good one for the album but I’m not sure how well this will transfer to the live show. Unless Springsteen et al have an invigorating live version coming – like they did with the track Wrecking Ball – I’d be happy if it wasn’t a regular on upcoming setlists.

American Skin (41 Shots)
Already a proven live hit, this will hopefully emerge on tour a few times in all its haunting glory. Personally I don’t think the studio version adds anything to the previous live recording, but I do feel it’s one of those underrated tunes overdue a decent reception. This tour’s Land of Hope and Dreams.

Just Like Fire Would
The more I hear this tune, the more I like it. I confess to not having any idea what it was when they played it in Brisbane last year, and I don’t think it was their best performance of the tour either.
But with the added tribute of being an Aussie band’s original song, and an excellent recording from the E Street Band I’m hoping we get to see this a lot on the next tour.
The performance on Jimmy Fallon shows how much they enjoy playing it. It’s the one song on this album I can’t get out of my head for the rest of the day.


Down In The Hole
Another song that is growing on me. And another one where the music really shines along with the subtleness of the lyrics. It reminds me of a cross between I’m On Fire, Empty Sky and the original Ghost of Tom Joad. I can’t wait to see how this one is done live and hope we get to see it a few times.

Heaven’s Wall
I’m not decided on this song. The opening 25 seconds of ‘raise your hand, raise your hand, raise your hand…’ kind of grates me a bit.
Saying that, the Jimmy Fallon performance showed the band can throw it out together pretty well with an appreciative audience. Of course the guitar solos that jump in around two minutes are brilliant, and really take the track to another level. Tom Morello and Nils Lofgren could have a lot of fun with this song, even if it is sandwiched in a setlist between a few better, more memorable show stoppers.




Frankie Fell In Love
I really want to like this song. Really I do. It’s got a good beat, fits on the album well and is easy to listen to as it is to pass by.
But… I hate the lyric about the church mouse snoring. And with it being at the start of the song I just can’t get passed it. When I first heard it I stopped the song and listened to the intro again I couldn’t get my head around it. Now I listen to the whole song trying to picture what a church mouse would look like wheezing annoyingly in his sleep and it drives me insane. Just like the ‘giddy-up’ bit in Pony Boy. Or the chorus of Bobby Jean that I could happily live without ever hearing again. Seriously, why Bruce? Why?

This Is Your Sword
I don’t mind this folk, Seeger Sessions-style song, although I’m not sure how it fit on a live show. What I would like to hear however is a stripped back, acoustic version without the rest of the band, as I feel the lyrics could stand up well with a darker, intense solo performance. Saying that, if you’re with Bruce fans in a pub on St Patrick’s Day, this would be an easy one to belt out and would suit the surroundings nicely. This could easily be placed as one of those filler tracks on the tour which come round occasionally and are easily forgotten.

The Hunter of the Invisible Game
This track could easily fall into everything I just said about This Is Your Sword, except I like it a whole lot better. It’s a subtle tune that gets inside and urges the listener to slow down and reflect. Reminds me of Nothing Man from The Rising. Not sure how we’ll see on stage, but could offer Bruce a chance to recover from any crowd surfing carnage, or could simmer the audience down before busting into one of his powerful songs. Which probably explains it’s position on the album.

The Ghost of Tom Joad
After the acoustic original, this version is another track that started life as an unforgettable live song. Every Australian show had the Morello-infused version and every time it was an incredible experience. When I listen to the studio recording I’m right back there hearing the live version, waiting for that bit where Morello just lets fly on his guitar.
This is a highlight of the album, and will no doubt be a highlight of the tour again.
Until then play it loud. Very loud.

The Wall
This album’s If I Fall Behind, or to a lesser extent Brothers Under The Bridge. A slow, pensive track that Springsteen can pull off so well in a setlist full of powerful rock tracks. Could slide in nicely on during a concert, and one that would allow Jake Clemons to come down and provide an always welcome reminder that there’s Clemons air playing on the night.



Dream Baby Dream
Another cover and one of those seemingly simple songs that somehow stops you in your tracks and just hits you. The video thank you to Wrecking Ball tour fans shows how much of an emotionally charged song this can be. If played live, the way it builds up slowly will have everyone reaching for that bit of energy left inside ready to go through an entire show all over again. Could even be the new tour’s My City of Ruins.