Showing posts with label Brisbane Entertainment Centre. Show all posts
Showing posts with label Brisbane Entertainment Centre. Show all posts

Wednesday, 5 March 2014

Top 5 Bruce Springsteen cover songs from the Australia and New Zealand tour

Anyone who sees an E Street Band show knows the energy, respect, and dedication by Springsteen and the band is unbeatable.

Demonstrated perfectly by the way he often chooses a song local to the region he's touring for a cover, often delivered with an E Street twist.

Sometimes, like last year's performance of The Saints' Just Like Fire Would in Brisbane, the track will even take a life of its own within the band and make repeated appearances or even recordings.
The completed tour of Australia and New Zealand came with a set of covers as unique and surprising as anyone could have predicted. Many making headlines around the world.
Here's five of the best:

1. Highway To Hell - AC/DC
Last year the band soundchecked AC/DC's Whole Lotta Rosie before the first show on the tour but the Australian rock band's song never surfaced in the ten concerts Down Under.
It was on the third and final night in Perth, where AC/DC's original leader Bon Scott lived and died, that Springsteen opened with the crowd pumping cover.

 

Perth had already seen two great shows and the Saturday night atmosphere was already palpable before the band came on. But the fierce guitars, pounding drums and belting battle cry of Springsteen and the band to start his final show with Highway To Hell  was the surprise opener that began one of the best openings of the tour.

It set the standard for the song to reappear several times, including twice with special guest Eddie Vedder.
Performed at: Perth (Show 3), Adelaide (Show 1), Melbourne (Show 1), Brisbane.


Original version...



2. Don't Change - INXS
Sydney's only show had already had one cover to raise the crowd in the form of The Easybeats' Friday On My Mind, and the full run down of Darkness On The Edge Of Town.
So when Springsteen belted out the INXS rock song to open the encore there was no holding the audience back. 



The band's four lead guitarists - Springsteen, Stevie Van Zandt, Nils Lofgren and Tom Morello, stood centre stage for the opening bars and returned for the songs climax.
It was angry, energetic and excessive. A fine and topical tribute.
Performed at: Sydney
Original version...



3. Spill The Wine - Eric Burden
After Hunter Valley's first night opening cover of Stick McGee's Drinkin' Wine Spo-Dee-Do-Dee there was no guessing what would come for the second show.
So when Garry W Tallent bounced on stage moving to a calypso beat and the rest of the band grooved into place before Springsteen arrived it was clear something special was about to happen.

 

Joining him centre stage was Michelle Moore, dressed as the mysterious woman in Eric Burden's Spill The Wine, complete with a bottle and glass of red wine, as Springsteen opened the second show with another cover in tribute to the Australian wine region.
By the second verse even those who didn't know the song were joining in with the chorus and infected by the sense of fun and energy the band were spilling out.
Performed at: Hunter Valley (Show 2) 

Original version...




4. Stayin' Alive - The Bee Gees
I genuinely thought there had been a mistake when someone told me they had heard the band soundcheck a Bee Gees song while waiting in line in Brisbane.
We had heard the rumours of a string section being brought in and everyone - correctly - assumed it was for New York City Serenade. Not a dated, somewhat irritating to many, disco classic.

 

But when the horns piped in to Springsteen's acoustic guitars, and the E Street Choir emerged from the shadows with their soulful backing vocals it was clear this wasn't going to be a disco tune. Instead the strings kicked in, followed by the rest of the band with horns centre stage bringing with it a rock n' roll rewriting of the song. 
Even Tom Morello got in on the act with an electric guitar solo as Springsteen's vocals turned the song from a high pitch squeal into a solid, fighting song about a man really fighting to stay alive. You really had to see it to believe it.
Performed at: Brisbane
Original version...






5. Royals - Lorde
The best covers were those you didn't see coming, and despite New Zealand's teenage sensation currently on her way to dominate the world, it just didn't occur to some of us Springsteen would give this breakthrough song a try.
The result was a solo acoustic, harmonica-driven, version in which 'King B' pounded his guitar to get out the frustration within the lyrics.

 

Like all covers, this wasn't a last minute attempt to please the local crowd with a tribute to their own music. It was an intricate re-working of a song with complex lyrics that Springsteen was able to firmly add his own touch.
The obviously deeper vocals and weariness over the lyrics again turned this song into that of a beaten-down fighter trying to get on top.
It made such an impact that it was brought out again for Auckland's second show and the final concert on the tour.
Performed at: Auckland (Shows 1 and 2)

Original version...


 
Other notable covers on the tour:

The Easybeats - Friday On My Mind (Sydney, Hunter Valley 1)
Stick McGee - Drinkin' Wine Spo-Dee-Do-Dee (Hunter Valley 1)


Which one do you rate best?

Thursday, 27 February 2014

Springsteen at Brisbane Entertainment Centre

"I don't know who else runs their shows like this!" said Bruce Springsteen after letting the audience decide if the band should play his second studio album from top to bottom, or carry on taking sign requests and having a ball in Brisbane.

The voices, mostly in the GA pit, carried sway with Springsteen, as he announced "It's E Street Shuffle time!"

And so continued a show that even before it finished after 3 hours and 42 aminutes, had already become legendary amongst fans as being the one show they would always remember seeing, or always remember missing.



Rumours that Springsteen was planning another album show with the complete run down of The Wild, The Innocent And The E Street Shuffle, had been circling since Sydney faded into Darkness and two-sides of the speculated The River failed to flow through the Hunter Valley.

But after an incredible opener of The Bee Gee's Stayin' Alive, with Springsteen and the E Street Choir slowly emerging out of the shadows into a full-blown rock 'n' soul version of the disco classic, complete with additional string section, fans were once again reminded that anything can happen.

What followed was four songs from Springsteen's Greetings From Asbury Park, that would be among a eight new tracks for the 2014 Australian tour, and starting an education for those fans overheard leaving every show complaining about how he didn't perform Born In The USA or Streets Of Philadelphia.

It's Hard To Be A Saint In The City, complete with Springsteen's guitar solo battle with Stevie Van Zandt, was a blast to watch with the enthusiasm from the musicians both obvious and infectious for the high-tempo, party spirit of the band's earlier days.



Carrying straight through with Does This Bus Stop...Growin' Up, and the crowd-surf inducing Spirit In The Night. (Which came with a hilarious first for Springsteen as someone slipped a phone into his back pocket as he was carried back to the stage.)

An energetic High Hopes and Just Like Fire Would - both covers which started life in their current format at Brisbane last year - was followed by a series of sign requests, which looked certain to derail Springsteen's full album show plans before he confessed they had made plans, but wasn't sure if they had time to fulfil them.

But with an eager audience and a gorgeous string section waiting in the wings following an extensive training afternoon, there could only be one outcome. The crowd demanded and the band more than delivered.

After a rousing E Street Shuffle, the band returned to Danny Federici's signature tune 4th Of July, Asbury Park (Sandy) brought out at Hunter Valley and the phenomenal expanded, Springsteen-orchestrated Kitty's Back. Its previous outing at the start of the tour in Perth remains one of the best E Street moments of 2014.

It was the eagerly awaited Incident On 57th Street and album closer New York City Serenade that took the show to epic proportions however.
In particular the latter which saw the aforementioned string section return to the stage and add a soaring finale to the album chapter that until Brisbane, had still been the talk of E Street fans since the song was given the treatment in Europe last year.

For diehard fans the show could have stopped there and still been something special. (Especially with unsung hero of the past two shows Garry W Tallent - this time taking on tuba duties).


But not wasting any time Springsteen took the band forward in time by a decade for Darlington County. Even those standard easy-to-judge Born In The USA-era fans were given a few extras as Bobby Jean and Glory Days were blasted out in the encore.

All before Springsteen of course brought out one final surprise for the Australian tour finale, with Eddie Vedder joining him back on stage for Highway To Hell - the Aussie cover song that is arguably another top highlight of the eleven shows Down Under.



After a long tour across the country it would have been understandable if Springsteen and the band wanted to play it safe and take it easy with a well-rehearsed set list of songs from across this tour and the 2013 Wrecking Ball shows.

But the fact they didn't, and that up until the last of the 222 minutes on stage in Brisbane, Springsteen again gave it his all and kept fans hooked for the next big surprise, simplified why people will beg, borrow and bribe their way to attend show after show, after show.

Brisbane's tour-ending colossus proved the only thing to expect from a Springsteen show is the unexpected.

Set list

1. Stayin’ Alive (Bee Gees cover)
2. It’s Hard To Be A Saint In The City
3. Does this Bus Stop at 82nd Street?
4. Growin’ Up
5. Spirit In The Night
6. High Hopes
7. Just Like Fire Would
8. You Can Look (But You’d Better Not Touch) (sign request)
9. Sherry Darling (sign request)
10. Save My Love (sign request)
11. Fade Away (sign request)
12. The E Street Shuffle
13. 4th of July, Asbury Park (Sandy)
14. Kitty’s Back
15. Wild Billy’s Circus Story
16. Incident On 57th Street
17. Rosalita (Come Out Tonight)
18. New York City Serenade (w/ strings)
19. Darlington County
20. Waitin’ On A Sunny Day
21. The Rising
22. The Ghost Of Tom Joad
23. Badlands
24. Glory Days
25. Born To Run
26. Bobby Jean
27. Dancing In The Dark
28. Tenth Avenue Freeze-Out
29. Highway To Hell (with Eddie Vedder)
30. Thunder Road (solo acoustic)

Australasia tour so far: 11 shows, 306 songs, 116 different.

Thursday, 15 August 2013

Bruce Springsteen back to Australia in 2014. And this time he's coming to Perth...



Fans of Bruce Springsteen who missed out on the rocker’s Australian tour could be in luck with reports The Boss is returning down under in February next year with another tour starting at Perth Arena.

Rumours have been circulating fan forums since the end of the Springsteen’s Wrecking Ball tour in Australia in March that he would return within a year after a series of 10-sell out shows.

On Wednesday night fan sites waiting for an announcement went into meltdown after a release from Triple M radio station said Springsteen would play Perth Arena on February 7 next year before heading around the country for another tour.

The webpage was quickly taken down moments later, but a search on Google still showed results that the radio station and Frontier Touring had details of the 2014 concerts.

Facebook group Bruce Springsteen Perth, previously a campaign group to bring The Boss to WA, even managed to collect screen grabs of the website listing dates for Perth, Adelaide – which also missed out on this year’s tour, Melbourne, Sydney, The Hunter Valley and Brisbane.

Frontier pre-sale tickets are reported to go on sale Wednesday, August 21.

The Triple M web leak also suggests that the reformed Hunter & Collectors will support Springsteen for the Melbourne show, listed for AAMI Park.




 Stay tuned for updates, and follow Bruce Springsteen Perth for more.



Tuesday, 16 April 2013

How to survive the line for a Springsteen show...



With just two weeks until Springsteen and The E Street Band start up the Wrecking Ball tour in Europe again my thoughts are turning to all lessons learnt lining up for their show.

 

There are obviously many bits of advice that could be shared but here’s some that I found most useful during the ten shows of the Australian tour.

1. Check around the venue

First bit advice is simple – if you arrive to what you think is the main entrance less than five hours before a show and there’s no one there, the chances are you’re not at the right entrance. Most venues allocate a special entrance for the General Admission crowd so if you don’t find it straight away be sure to take a walk and look for it.
(At Brisbane 1 someone came up to me inside the venue to say they had arrived hours early but missed on priority entrance because they hadn’t found the rest of the crowd.)

2. Respect the line-up system

European fans have an imposing reputation about how long they are willing to wait in line to get priority entry.
In Sydney I was staggered to find out a dedicated couple from Italy had slept outside Allphones Arena to be first in line. 


When I got there - 10 hours early and 71 in the queue – I was told that sleeping out for the night was nothing – in Sweden people sleep out for five days.
Thankfully throughout the Australian tour, the arena dates in Brisbane, Sydney and Melbourne – at which I spent a total of five days in lines waiting for the doors to open – they had a roll call system.
Turn up early, get a number, and make sure you’re back a few hours later to keep your place in line.
You can’t really go wrong with this system but there were a few people who felt the need to argue the point that it was unfair, and that people should stay in line without being allowed to disappear. 
Meanwhile in other places, particularly the US, there’s the lottery system. Where you turn up and get a number, then at a certain time a number is called out and the allotted number of priority places will start at that number. (So if 200 people are to go in, 750 are in line and the number 632 is pulled out – then everyone with the number from 632 to 82 will go in.)
This system of course means you take a gamble on matter what time you line up. There’s no way of knowing if rocking up for entry five days or five minutes before the cut-off time will get you in first.
No matter what the system is, it’s important to remember that all venues can be different, and also that Springsteen’s people would have probably set something up with them to best accommodate the size of the crowd.

Late night roll call in Melbourne...

Ultimately however the best advice I can give you is head to the front of the line and look for any Americans - especially if there's some with the New Jersey accents. They will be the experienced tour mates more than happy to pass on info about roll calls, numbers and entry times. Many times during the Australia tour people thought they were paid to organise things the set up was so well organised.

3. Buddy up

There’s no point in being shy when you’re joining a group of other fans all out there for the same reason you are.
The great thing about the line-up system is that everyone was keen to help each other out, hold spots in line or look after belongings for food and bathroom breaks.


Not to mention swapping stories and wishlists of the best Springsteen show ever to take place.
A lot of people, myself included, go to the shows by themselves but leave as part of a group.
Once you take a number you’re in a club. A club that works well when everyone’s working together.

4. Eat, drink - but don’t get too merry

Standing in line, attending a roll call and being front and centre for a show is serious business. And even if you don’t take it seriously, other people will.
With the roll call system it meant there was time to leave the line and get some decent food instead of just fast food or convenient store snacks. Not such an issue for a single line up, but with multiple shows you need to maintain a solid diet to stay healthy and keep energy levels up.
When it comes to drinking, hydration is the key. Water and sugar-free sports drinks are the way to go (Bruce drank blue Powerade on stage and that soon became the beverage of choice for many in the line too).
As for alcohol, some people in groups were able to drink throughout the day, then again during the show, but for myself and many others investing that much time in getting to the front you don’t want to risk either being too pissed for the concert or having to lose your place inside to use the bathroom.
For me, choosing the right time for last fluid intakes was an art form, as once you got into the arena holding you’re well-earned place was a hard task and very much dependent on those around you.


5. Look out for the signs

There are two main reasons to keep an eye on other people’s request signs.
The first is to make sure you choose a song that isn’t being requested by everyone else. You want to choose a track that will not only attract Springsteen’s attention, but will gain the respect of other people in the line. 


It can be a lot of pressure to get this right – and not everyone is going to be happy to see a bit of card for Outlaw Pete.
The other reason is the size of other people’s signs, especially the people ahead of you in the line.
Several occasions in one concert my view was blocked by someone’s sign ahead of me which was held up far too long than it should have been. There’s a time for signs and this idiot needlessly kept it up throughout a performance.
When I saw him at another show, I made sure to watch out which part of the stage he headed for and what size card he had, and made my quick decision for a position to avoid him.
(Meanwhile one guy – you know who you are Victor – even held up a sign ‘The guy behind this sign can’t see’ during one show. And if you see someone scribbling that in a big marker you know who to avoid).
 

6. Bring your Springsteen T-shirt

OK so album or tour T-shirts are not mandatory, but on the one show I didn’t wear one, I went to the merchandise stand to buy one as within five minutes I felt out of place. Like being the one kid at school who forgot it was non-uniform day.

Bruce was a big fan of the matching T-shirts in Melbourne...
 

7. Patience is your friend

You may think this is an obvious one, but I’m not necessarily talking about the long periods of waiting.
Instead what will really test your patience is the people nearby who discuss everything Springsteen and then start getting it wrong.
It may only be a slight error, but if you’ve just finished reading the latest biography, or was at a previous concert and the guys next to you are talking about it and getting the setlist horribly wrong, then it can take every ounce of patience not to turn around and correct them. I feel the same urge when people on the train get Bond movies wrong or misquote Arnie films.
Of course if you’re in the conversation that’s great, go for it, but if you’re just butting in then even the nicest Bruce bud will probably start to lose patience with you and your encyclopaedic knowledge of everything E Street.

8. Power up

It can be a long wait, and a long wait in today’s world means plenty of time on your smartphone.
I bought a pocket charger that I charged up every night and took to every show.
Then an hour before gates opened I plugged it into the phone.
After the first two shows I realised that to take pictures, sneaky videos (or even to make a note of the setlist if I could do it without losing the enjoyment of the show) I needed at least 70 per cent battery in my iPhone.
You don't want to be left hanging without enough power... (slide)

But if I was using it throughout the day I’d be lucky to go in with 20 per cent power. A portable charger is definitely a worthy investment.



9. Don’t over think getting to the front

If you’ve made it to the priority and you’re slowly walking into the venue in your numbered order the chances are you’ve already discussed a strategy about where to stand.
For me the trick is to never plan it, just go with what you get.
If you’re number 1 – then hey, front and centre no probs.
 
You never know where Bruce will go for a lie down or planking photo op...

But if you’re around the 100 mark, you have to take what you can get.
For me, I was first 151 and was advised to go behind the few rows near the central platform in Brisbane 1.
This turned out to be great advice for the first night as my view was incredible and I was still close enough to stick an arm out and hit the guitar for Born To Run.
But other nights, different spots were better for me.
I found that any spot along the barrier saved a lot of energy for the show. Not only was it something to lean on, but also a lot cooler than being between people. Even if you’re along the side you still get an unblocked view of the stage.
Ultimately, the moment you walk in all strategies you had suddenly go out the window anyway as you realise you’re getting closer to the thing you’ve spent a day lining up for and the adrenaline kicks in.



10….

There are so many more bits of advice I was given, but I’m opening up the final spot for other tour followers. What advice would you give to someone lining up for priority entry at a series of shows?

Leave a comment below...


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