Showing posts with label Wrecking Ball tour. Show all posts
Showing posts with label Wrecking Ball tour. Show all posts

Tuesday, 29 April 2014

Will Springsteen tour Australia in 2015?... and the hell of the steel rumour mill


Without wanting to fuel rumours or raise false (high) hopes, this is essentially the one question that everyone I spend a certain amount of time with on February’s tour of Australia was left pondering before the final shows across the ditch in New Zealand.

One 10-date tour last year wasn’t enough. Especially when the results of that Tom Morello-fused trip down under included a new album.
So was a second tour, including stops in Perth and Adelaide and four full-album shows – less than a year later enough?

Not if you believe the rumours that circulated the many groups of fans I had the pleasure of sharing shows, drinks and hours upon hours in line with.

In fact by the time the E Street Band reached Mt Smart Stadium in Auckland, Springsteen’s end of show sign off to the crowd that ‘the E Street Band loves ya!’ and ‘we’ll be seein’ ya!’ did in fact mean that once again we could all be forced to book time off work, cancel holiday plans and raid our credit cards for the third tour in as many years.

Normally I would be the first to put this down to just wishful thinking.

Two prolific tours within 12 months isn’t unheard of in the band’s recent history, but three in two years would be extremely unlikely for a tour operation that size.

Also, both visits to Australia came on the back of two different album releases so it would be fair to assume that another trip would coincide with another timely release.

But there are several reasons why it might not be that inconceivable.

They were right last time 
Before the final Hanging Rock show in 2013, rumours in the GA pit were wildly circulating that plans were already underway to bring the band back the next year. 
The Wrecking Ball tour had been such a success with people travelling across the country to get to the shows, there was every reason to believe they would want to return as soon as possible. 




This time as well as rumours of a full The Wild, The Innocent and The E Street Shuffle night in Brisbane, fans who had gotten close to the band were already predicting that Springsteen, the band and the crew were planning on coming back as soon as next year.
These rumour spreaders, amongst several different groups of fans, were right about the full E Street Shuffle show and just as confident about the 2015 return.

The band seem to love Australia
You only have to check out Springsteen’s website, or any number of the Facebook fan groups, to see how much he and the band enjoy their time here. It’s not just the chance of a summer holiday in winter but also the ease of being able to travel across the continent without too much hassle. 
In Europe hundreds of fans are known to wait outside hotels for a glimpse of the band, in Australia they can mostly sit in the band’s hotel bar and wait for them. Not to mention trips to the beach, the zoo or the dry cleaners.
E Street is more accessible than ever
Whether it’s the multitude of books, the Springsteen & I documentary, or the pulling up of dozens on stage every night, Springsteen himself is more open with his fans than ever. He obviously won’t come right out and say it, there probably isn’t even any firm plans in place. But if he says it’s something he genuinely wants to do, it would be a safe bet that it’s somebody’s job somewhere to make sure he gets what he wants.
Meanwhile, in many interviews in the past few years Springsteen has said that he’s no intention of slowing down while the band are at their best and the light at the end of the tunnel is ‘getting closer’.

Everyone’s making a killing
It’s not cheap to go to a Springsteen show, but people will still pay through the nose to get tickets to every concert and the promoters know it. This alone is all the incentive promoters like Michael Gudinski and Frontier Touring need to do whatever they can to bring them back again and again. I don’t think anyone’s in any doubt that these guys had to do a lot to bring Springsteen and the band here for the first time in 10 years, and it has clearly worked. 
The 2013 Wrecking Ball tour was already a dream come true for many fans in Australia. And this year’s shows, complete with headline-making cover songs and full-album performances took that to a whole new level.


There’s always rumours of another new album 
Not everyone was happy with the format of High Hopes – the release Springsteen himself called his ‘anomaly’ album. Instead many fans are waiting for a full album of original material with some underlying theme driving the style and tone of his work that has been demonstrated in recent decades. So even with the release of High Hopes, fan discussion following intense analysis of published interviews with Springsteen and the band easily lead to the assumption there was more to come. And that it would come sooner than we think. (And if you are to consider the four-track American Beauty release for Record Store Day, these assumptions weren’t too far wrong.)

TOO SOON?

But aside from all the excitement, expectation and Springsteen’s apparent love of surprising his fans at any given moment, speculation of a 2015 return does come with the question many debt-ridden tour followers ask: Do we want Springsteen to return so quickly?

At the end of February whenever discussion about 2015 rumours came up they were always met with the regrettable realisation that a longer break between tours would be welcome, and the hope that if he is back then, it’s at the end of the year, not the same time as the previous summer time shows.

This response was no doubt partly in response to tour/roll call-fatigue - which after 10 shows in three weeks can easily set while you’re waiting for that final wristband.

In fact, after a few weeks of hotels, flights and racing for the low numbers, you would be surprised how quickly real life comes calling. 
Especially near the end of the road.
A road which goes from being wide open and full of hope to being dominated by big, bright signs warning about out how much mileage is left in the financial tank, and how long you’ll be working before you can get back out on the tour highway again. 


FROM POST-BRUCE BLUES TO TOUR DATE LIMBO

But as The E Street Band revisit cities across America and dates in Europe crumble through the rumour mill, fans in Australia who take notice of the rumours remain in a strange limbo between wild speculation and verified confirmation of any future tour.
The result is any holiday, home renovation or expensive car upgrade plans have to answer to the voice in the back of their mind telling them that maybe they shouldn’t spend their money or sacrifice their annual leave just yet in case Bruce does come back.

And when he does it following him across the country for weeks at a time really will be the final time they indulge in the once-in-a-lifetime, may-never-happen-again event.

Until of course the penultimate show of that tour… when rumours of another return creep from backstage.

 ...........................................................

Until then, head to  
in the public vote category.
 Cheers!

Monday, 3 February 2014

The Springsteen fan's road to Perth Arena

Springsteen fever has officially landed in Perth with the Australia tour about to start this week.
A few people have said they enjoyed an article I wrote last year when the 2014 tour was first announced - and before the extra dates were added - so here it is again. 
(More than six months on, let me know how accurate it is Springsteen fans...)

News that Bruce Springsteen is to return to Australia next year has no doubt sent many E Street Band fans into meltdown over the past 48 hours.
Perth and Adelaide, which missed out on the E Street Band in 1985, 2003 and 2013, as well as 1997's solo tour, will be the first two cities on next year's tour (February 7 and 11 respectively).
Bruce Springsteen made special mention of Perth fans during this year's tour told the crowd, thanking them for flying over.
Coming back so soon after an incredible ten-show tour in March and after a series of ground-breaking shows in Europe really is mind-blowing.
Not just because the shows are so good they can change the way you look and feel about music, but because from now until February there will be several times where die-hard fans will put themselves through an insane amount of psychological and physical torture to be at a show.
Insights into the dedication of Springsteen fans were recently touched on in the documentary Springsteen & I, made entirely from fan's own video submissions.
But in terms of what die-hard fans across the world will be doing over the next six months, it barely scratched the surface.
As of right now Springsteen fans are booking weeks off work, cancelling holiday plans and failing to find an acceptable excuse to bail on their girlfriend's sister's Margaret River wedding so they can revel in the E Street experience. Again.
Military-style operations are being formed across different time-zones that will see phones, tablets and computers at battle stations when the ticket pre-sale starts in every state.
The same thing will be repeated a few days later as tickets are released to the general public and every few seconds internet booking sites will be the cause of some of the most abusive, offensive language ever spoken by thousands of people at the same time when they all see, "Sorry, those tickets are no longer available" in bright red annoying letters.
Several hours of war games will end with the occasional sweet victory of a solo GA ticket, only to vanish when another tour date is added to a venue. And you do it all again. And again.
Only when enough tickets are secured and the concert diary is suitably full will fans move on to the next stage of planning and preparation.
Credit card limits will be extended, promises will be broken and more than one fan will end up with debts that no honest man can pay.
"Bruce buds" made last time round will reconnect and reunite with meet-ups and build plans to share accommodation, journeys and even strategies for waiting outside concert venues for days on end in order to secure the very best place in the crowd.
All this will happen months before the first show as every wedding, birthday party or Bar mitzvah invite is met with "as long as it's not in February, I CAN'T DO FEBRUARY!"
Probably followed by a conversation that starts with an excited explanation of what they're up to and ends with a pitying smugness that the person not crazy enough to give up weeks of their life to stand in line will never get it.
Flights, hotels, friend's sofa beds and cardboard boxes are being booked out and journeys between each show are plotted out to the finest of detail.
Meanwhile at the back of every fan's mind is the constant thought about how the world will fall apart if anything gets in the way.
For normal people, the announcement of a concert might be a welcome surprise and something to look forward to.
But for the next six months the sign-making, roll-call-taking Springsteen fan hooked on seeing show after show after show, will self-inflict a ridiculous amount of pressure to not miss a single second of the tour. No matter how impossible that will be.
And these will be the people you see sleeping outside Perth Arena days before the first concert.
Brace yourself Perth... Springsteen is coming.


First published on WAtoday.com.au 

Saturday, 25 January 2014

Did you fall for the Bruce Springsteen USB wristband backlash-scam?


Last week I wrote a blog entry asking whether paying $45 - plus whatever postage fees - for a live recording of a Bruce Springsteen show on a USB wristband was too much.
I was set to publish it but moments before I did I saw on Twitter there was an update to the concert download saga that has excited many fans and simply infuriated others.

Now it seems that the live recordings will be available in a "variety of formats" and not just in the $45(AUS) wristbands. 

Some of these are reported to be higher quality, and cheaper. The two biggest issues that seemed to irk fans who have been begging for official downloads for years, but wanted them in the same way Pearl Jam fans have theirs - highly accessible and highly affordable.



For me, regardless of the price – which really shouldn’t be that shocking when considering the credit card-limit-breaking cost of actually getting to see a show or two - the whole concept is genius and has been a long time coming.

If I had the opportunity to get live recordings of some of last year’s concerts I would have happily added another $50 on to the price of the ticket. (Mainly because at the time I thought it would be the last time they would tour Down Under).

Every Springsteen fan knows there are some songs that just sound better live, and the man’s career has been built on the ‘you-have-to-see-him-live’ ethos.

Ultimately I would love a live album at the end of every tour, and I for one was genuinely surprised one wasn’t released at the end of the Wrecking Ball tour instead of the album High Hopes.

But until then, the opportunity to get a 2 to 3 hour show recorded professionally is a fantastic alternative.

I know many fans just hit up YouTube and search for individual videos of tracks from the setlist to hear a concert they missed, or relive a concert they experienced. With enough patience it is surprisingly easy how you can create yourself a complete bootlegged live album from the multitude of recordings that come online after every concert any big act performs.

But after you've checked to see if you can spot yourself in the video, the novelty of these recordings quickly wears off. When you've heard how great Prove It All Night and Ghost of Tom Joad sounds at the front of the stage, listening to it from a poorly recorded bootleg just isn't enough.
I first encountered the post-concert live recording option at one of the best small gigs I’ve been lucky to review.

In November 2007 Joseph Arthur and his band The Lonely Astronauts finished their UK tour at The Talking Heads in Southampton. About halfway through the gig he noticed some sort of feedback, buzzing sound and delayed his next song by five minutes as they worked to get rid of it.

Arthur the crowd of a few hundred fans crammed into the small venue that they were recording the performance and that if they wanted a copy CDs would be burned at the merchandise stand afterwards.

The show was incredible, so naturally people swarmed to the merchandise stand afterwards as two computer disc drives were spitting out white CDs for the assistants to put in cardboard sleeves with the gig’s date and venue stamped on the side.
The gig’s 21 tracks went across two CDs and cost £10.

The quality was clear enough to sound decent and recorded with professional gear, while still being raw enough that it clearly was a finely produced live album. Turn it up loud enough and you still the static buzz of the room, while the applause and cheers after each song are sometimes deafening.

However, as a unique recording of some excellent performed tracks from a brilliant singer-songwriter, it was a fantastic buy and one of my all-time favourite live albums.

The following year I considered buying a live concert performance for a second time. After waiting in the rain outside Wembley Arena before Matchbox Twenty took to the stage I was drying off at the merchandise stand when I spotted a USB wristband with the option to download the show afterwards.

Apparently Rob Thomas and his band were pioneers of bringing the concept into a mass-merchandise market.

I don’t remember the price tag of the 2008 wristband, but I’m pretty sure it was at least £25. (Checking on Springsteen's online store to pre-order the wristband it shows £25 is how much UK fans will have to part with for their E Street wristbands.)

The show itself was excellent, partly because I was standing front row at Wembley Arena and also partly because the band were a favourite of mine some years earlier.
This wasn’t enough however for me to part with my cash for the souvenir. At the end of the day I just couldn’t justify it. 

The following year I left London's Hyde Park wishing Springsteen had the same offer going for the 2009 Hard Rock Calling concert - which would later be released on DVD. I would have happily paid a lot of money to know I could hear it again a few days later.

Today however, after seeing the incredible performances on the last tour, and not being able to make two of the upcoming 11 Australian shows, I gave in to pre-ordering a number of wristbands within hours of hearing about the announcement.

The main reason is that I’m just not satisfied by the quality of the unofficial bootlegs I’ve listened to online. And as much as I enjoy requesting rare live offerings on Springsteenradio.com – which is a lot, and I urge everyone to sign up immediately – the reality is there is no better act to see, hear and be a part of live, than the E Street Band.

Some initial reactions to the announcement of the wristbands included calls it was scam by Springsteen – including one genuinely funny parody singer – but in reality it was more likely a miscalculation from his PR team who thought fans would welcome professional live recordings they have longed-for without going into enough detail about what would be available.

Then again, the amount of angry chatter between fans that greeted the original announcement leaded to much more press coverage than it would have done if people were happy about it.

So if there really was any sort of "scam" involved in the release of these live recordings, it could have been with the backlash that greeted it, and the petition set up that attracted thousands of signatures.

There's nothing like a protest to generate more publicity for a product, when you already have the desired outcome of the protestors waiting to be released. In this case, the cheaper downloads without the need for a wristband.

Which according to Backstreets.com will come in two options for audio formats: "MP3 (320 kbps) or FLAC (Free Lossless Audio Codec). Pricing will match Pearl Jam's at $9.99 for MP3 or $14.99 for FLAC."

So, did I fall for the Bruce Springsteen USB wristband backlash-scam?

No. 

(But after rushing online and pre-ordering several wristbands at $45 each, and another t-shirt, I probably should have.)

Tuesday, 10 December 2013

Top 30 Springsteen songs to add to your playlist before the next Australia tour

Springsteen and the band are coming back and this time they're sure to be playing to more people who may not have seen them before.

In Australia in particular this means plenty of fans could be hearing tracks performed live for the first time - whether they have previously heard of them or not.

And fans who have never been to an E Street Band show you'll be happy to know that Springsteen has more than just Born In The USA, I'm On Fire, Dancing In The Dark, and Hungry Heart in his song list. Unlike most Australian radio stations which seem to only have them.

In a bid to prepare for the upcoming Australian tour, I've put together a track list of studio and live recordings for fellow fans to listen to as a warm up.

The list is what I consider to be some of the best tracks you could want to hear on the tour after seeing the band several times including all ten dates of the Wrecking Ball tour in Australia.

Some are live and some are studio recordings - all are songs that sound great from the stage. 


The order is part preference, part what I predict we can expect on the next run of shows in February and part the list of songs worth adding to your playlist if you don't have them already.

1. High Hopes - High Hopes (2013/2014)
A great crowd pumping tune that is the title track of the new album. It's gonna get played.

2. Because The Night - Live 1975-1985
One of the best live songs with a brilliant guitar solo, usually by Nils Lofgren, but at Hanging Rock 2, Bruce took on solo duties himself.

High Hopes in Sydney, March 2013.


3. Badlands - Live 1975-1985

No live show would be complete without shouting along to this classic. It gets the entire pit jumping and this live version is a blast.

4. Prove It All Night - Live In New York City
A stand out live track. Australia got this song several times, and twice with the acclaimed '78 intro. The best example of a studio song taking on new life in it's live format.

5. Thunder Road - Live Hammersmith Odeon, London 1975

A haunting rendition of this Born To Run opener with the crowd joining in. Just as it will be again.

6. Rosalita - Live 1975-1985
Often brought out to close the concerts, you don't want to embarrass yourself by not knowing those fastly-spoken lyrics, or why her momma don't like me.

7. Spirit In The Night - Live 1975-1985
When he asks you one question, you better have the answer. This song can make or break a concert for some fans it's that popular.

Bruce blasting the solo on Prove It All Night '78


8. Atlantic City - Live In New York City
A blistering performance of this track which when it comes out with a full band on stage will blow you away.

9. Murder Incorporated - Live In New York City
Again, like Atlantic, this live version is incredible, fierce and pounding. Not played every night, so you'll appreciate it when it does arrive.

10. Tenth Avenue Freeze-Out - Live 1975-1985
Recently used to tell the story of the band and remember Clarence Clemons and Danny Federici. This is a classic rendition with the energy to keep everybody going.

11. Jungleland - Born To Run

You need to know this song, the passion it invokes and the heart-wrenching tribute it has come to be when performed by Clarence's nephew and rising star Jake Clemons.

12. We Take Care Of Our Own - Wrecking Ball

Fast becoming the motto of #BruceBuds and E Street Fans who line up for hours and days to get a front row spot in the pit. It's worth your time to build the comradery that comes with being part of something huge.

13. Wrecking Ball - Wrecking Ball

The live version takes this song to another level, so you want to get a good grounding in it beforehand.

14. The River - The River
All about the lyrics. You'll want to know them when the time comes to go down to the river. It's a show-stopping moment.

15. Youngstown - Live In New York City
Up there with Atlantic City and Murder Incorporated, but also with  Tom Morello on board this version is as close as you'll get to a recording of their Ghost Of Tom Joad version. Hopefully we'll see it again.

16. Hard To Be A Saint In The City - Live 1975-1985

With Steve Van Zandt back there has to be a good chance of hearing the live duelling guitars on this tour.

17. Lost In The Flood - Live In New York City
A haunting song - this was my live request at three shows in March 2013. It never got picked up. Until of course the next night when I didn't bring it and Bruce knocked it out the park. One of my favourites, hoping to hear it again.





18. Ghost Of Tom Joad - Ghost Of Tom Joad

This song was played every night of the Wrecking Ball tour in Australia, of course this was because Tom Morello was on board and brought with him the incredible electric version. Before that one gets a studio release in January's High Hopes, make sure you give the original plenty of airplay - so you can be blown away when it appears on the tour next year.

19. Incident on 57th Street - The Wild, The Innocent and The E Street Shuffle

This one always takes me by surprise. Every show I've heard it I've always forgotten about it and been amazed just how well every other person around knows it. It's a great one that will probably sneak up on you in the setlist so get to know it first.

20. The E Street Shuffle/Having A Party - Live Hammersmith Odeon, London 1975

This another song that Tom Morello injected a brilliant electric buzz into. At one point during the song he pulled out the plug of his guitar and jabbed the plug into his free hand to create the sound of the Shuffle. Another one to look out for as he returns with the E Street Band.

21. Out In The Street - Live In New York City

Last time round this song was interchangeable with Hungry Heart. Bruce would use either one of these on a night to leave the stage with the crowd singing along and carry the beat along with him as he surfed the audience back to the stage. Hungry Heart is among half a dozen that get the occasional radio airplay, this one unjustly doesn't.

22. Death To My Hometown - Wrecking Ball

A great recent addition that adds the full sounds of the band. The live version brings out more of the guitars too. And with Stevie, Tom, Nils and Bruce all on the tour it could get a great work out.



23. City Of Ruins - The Rising

Used recently to introduce the band in an extended roll call while also urging the crowd into an eery silence for the 'ghosts of E Street', this song was powerful on release and has taken an even stronger presence in the line-up.

24. Radio Nowhere - Magic

Just a solid rock tune. Easy to join in, easy to enjoy. Play it loud.


25. Johnny 99 - Live 1975-1985
Another one that always took me by surprise and Bruce seems to really enjoy himself playing it. This live version is a great warm-up.

26. She's The One - Live Hammersmith Odeon, London 1975

An underrated tune that also gets a frequent playing on stage. For good reason too - the crowd participation is like that of Badlands in that it helps construct a whole new version of the song. So like Badlands, get to know your part.

27. Pay Me My Money Down - The Seeger Sessions, Live In Dublin

A Seeger Sessions blow out that brings the whole band into play, in particular the horns section. On first listen this rollicking folk tune may not appeal to everyone, but when the band get into it, it's impossible not to enjoy. Just ask the Brucettes from the first night in Melbourne who got pulled up on stage in their matching tops - I'm pretty sure they've never stopped playing.


Pay Me My Money Down, Melbourne 2013.

28. Backstreets - Born To Run

One of my all-time favourites alongside Lost In The Flood, and like that great tune it wasn't played every night. But when it was it brought the arena to a standstill. Prepare yourself in advance to give it the respect it deserves.

29. American Land - The Seeger Sessions
Another Seeger Sessions joyride that you might not think of, but gets thrown out when the band are in full swing and just don't want to go home. Good luck in learning the lyrics, it ain't easy to keep up but gets stuck in your head after a couple of plays.

30. American Skin (41 Shots) - Live In New York City

This silent-inducing, powerful live performance of this song is another show-stopping lesser-known track. With it getting a release on High Hopes we could hear it again soon.

Do you agree? What else should I add to the list? Let me know below...

Monday, 25 November 2013

High Hopes for a new Bruce Springsteen album



The rumours are, once again, true and a new album is indeed set to be released before Springsteen and the band return to Australia next February.


As teased last week the album High Hopes was announced today with a full tracklist.

Pre-order sites such as Amazon are already listing details that include a bonus DVD of the band performing the Born In The USA album live in London earlier this year.


For fans of this blog and those who saw the Wrecking Ball tour in Australia this year have good reason to be excited about the new album.


First of all, the excellent High Hopes is present – a brilliant highlight of the Australian-leg of the tour.


Then there’s the frequent addition of Tom Morello, Steve Van Zandt’s stand-in for the 10 down under dates in 2013. This of course includes the incredible Ghost Of Tom Joad that has been crying out for a CD release.


Along with this we also Just Like Fire Would – a cover of The Saints' song performed in Brisbane on the first date of the tour in Australia this year.


Amongst the other songs in the tracklist are the American Skin (41 Shots) already a highlight on Live In New York City release, and Dream Baby Dream, Suicide’s song Springsteen used in a video to thank fans who made it to the Wrecking Ball shows.


The lack of an album full of entirely new songs may disappoint some fans. But with the tracks in High Hopes the album feels like another ‘thank you’ to those who have followed him across the planet in the past few years (and decades). 


Meanwhile if you listen and look close enough you can already pick up on rumours already circulating of two albums being released within 12 months of each other. 

Track list: 

1. High Hopes (Tim Scott McConnell) - featuring Tom Morello
2. Harry's Place - featuring Tom Morello
3. American Skin (41 Shots) - featuring Tom Morello
4. Just Like Fire Would (Chris J. Bailey) - featuring Tom Morello
5. Down In The Hole
6. Heaven's Wall -featuring Tom Morello
7. Frankie Fell In Love
8. This Is Your Sword
9. Hunter Of Invisible Game -featuring Tom Morello
10. The Ghost of Tom Joad - duet with Tom Morello
11. The Wall
12. Dream Baby Dream (Martin Rev and Alan Vega) - featuring Tom Morello

Album due out January 14.